The center of my Oregon childhood was my grandmother’s Rex Hill farm house. A carefully tended rock garden, a spidery wood box filled with tin wind up toys, a stair landing peek hole, and peppermint drops in a milk glass rooster. An enticing arched doorway just past the hand- cranked hurdy gurdy led to her music room. My grandma Katherine sang –Grieg and the musical poems of her sister, Ethyl Romig Fuller who was Poet Laureate of Oregon. I listened with ears hidden inside my spirit.

On Christmas Eve, my mother tells of her parents disappearing into the music room and closing the doors behind them. In the living room, warmed by the fire, three anxious children fidgeted and waited. Then, all at once, with a dramatic gesture, my grandmother flew open the doors and there, shining with tiny burning candles was this year’s Christmas tree! The presents and any expectation of receiving more than this light filled moment baffled my mother to the extent that one remarkable year she failed to comprehend that the lovely baby doll under the twinkling tree was indeed for her!

My mother inherited a passion for Christmas. Her holiday baking begins before Thanksgiving! Fruit cake with farm walnuts, pfeffernuese, lebkuken, frosted cutouts, chocolate drops, fudge and tiny gingerbread men. My parents encouraged creativity. My three sisters and I made gifts and wrapped them in hand painted papers. Our Christmas mornings were filled with anticipation. We opened presents one at a time, eager to see if the gift we had made was a hit! My daughter, Abby, grew up with handmade quilts, throw pillows, photographs and paintings created just for her.

Now several cookie baking years later, I’m watching like a mouse in the kitchen corner as Abby establishes traditions in her own home, singing in her clear soprano voice as she frosts hearts and reindeer with her daughter, Haley. Each generation borrows from the past, continuing in the making of memories. My granddaughter’s love for music and song writing led to my invitation for her contribution to Sleigh Ride. “Easy, Beste Ma! I’ll write my song about the elf who tucked me in that time at Sunriver Resort!” And that she did!

And so, from my grandmother’s music room, through long hours of practice on my father’s old upright and now through French doors just past my own Oregon kitchen, take a peek at the black lacquered piano in my music room. And if you stand very still and listen with your spirit, you’ll hear generations singing!


The Writing of Sleigh Ride

Sleigh Ride began as the song, Traditions, a co-write with Michael John. Inspired in part by the enchanting Christmas celebration at Sunriver Resort, one song grew to include the titles Teddy Bear Tea, Gingerbread Junction, Fields of White and the Christmas Cat. Intended first as a children’s CD, the project now includes songs and musical styles for all ages.

The Production of Sleigh Ride
Sleigh Ride was pre-recorded at Leon-Forrest Productions in Lincoln City, Oregon. The final record was recorded at OMNIsound Studios in Nashville with Rick Lloyd from Inlight records producing.

Paul Stookey of Peter Paul & Mary writes: “Magic can still happen when someone as disarming and talented as Katey Jones shows up for a performance.”

Rick Lloyd from Inlight Records says, "I love Katey's enthusiasm and energy. I have complete faith in her as a writer and as an artist."

"Katey skillfully works the boundaries that often exist between the sacred and the secular." Charles Wallace, Chaplain, Willamette University




Katey's Bio pdf file | Katey's Bio Word doc | Katey's Pic 1

I sang “Bobby Shaftoe”, a lullaby sung in our family, on my grandma’s Somebody’s Girl CD. Beste Ma, aka Katey Jones, invited me to write a song for Sleigh Ride. I wrote about the time at Sunriver Resort when an elf came to our house and read me stories, which was fun/weird. Beste played The Christmas Cat for me. It wasn’t funny so we fixed it. I also sing Santa. I’m a sixth grader in Portland, Oregon. I like to ice skate, read, and play the piano. I have a cat named Lemon and a hamster named Peanuts, who would LOVE to eat him!
Haley Morgan McKinnon
Singer, Writer


Michael John, Elf
The warmth and love that radiates from Michael John’s face when he’s performing recently prompted a little boy to write him a letter saying, “When you sing I don’t know if your face looks more like Santa Claus’ or God’s.” MJ has opened for Ray Charles, Steven Stills, and Jay Leno. Currently he is a corporate performer and delights crowds every summer at outdoor concerts on the green at Sunriver Resort. The Sleigh Ride concert will be the first time he wears tights! emichaeljohn.com

Randy Porter, Accompanist
When I first heard Randy Porter play the piano at his Across the Bridge CD release at the Aladdin Theatre in Portland, OR, I dubbed him “The Little Prince.” His easy grace and rapport with other musicians, coupled with what the Oregonian called “his gorgeous keyboard facility,” were captivating! I once sat in a comfy chair in his studio only to hear a squeak. Naomi, Randy's youngest daughter, was hiding under the cushion. Sorry Naomi! Randy has performed with many jazz greats – Diane Schur, Freddy Hubbard, Art Farmer, and Charles McPherson. RandyPorter.com

Leon-Forrest, Sound Director
Leon-Forrest brings charm and warmth to the Sleigh Ride family. He and his wife, Adele, live in a hobbit house with a raspberry door on the Oregon coast. Together, he and I have written, produced, recorded, and performed, including concerts with Tom Grant, an Oregon singer/songwriter showcase at the Hatfield Marine Science Center and at Woman of Spirit ’99. Leon has recorded two CD’s for prominent Oregon artist Rick Bartow and is finishing a five-song collector’s CD for me called Scared Wild Bird. He is head of Leon-Forrest Productions, a full service recording and sound company. HarbingerNorthwest.com

 

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